Another piece that received Jurors' Recognition this month is Floris Flam’s art quilt, Through a Japanese Window.
Here’s what Floris says about her inspiration and process:
“ I started Through a Japanese Window in a workshop with Roberta Horton where the focus was on the improvisational use of large pieces of ethnic fabric. I brought mostly Japanese fabrics to the class, though I added some coordinating prints and solids from my stash. I came away from the workshop with several large pieces of fabric pinned together, but it took some time to decide how to fill in the rest. I wanted to stay with the asymmetric balance one often finds in Japanese art and kept trying ideas on my design wall until I was happy with the result.
“The wall hanging is machine-pieced and the butterfly and circular shapes machine appliqued. One example of problem-solving that pleased me is that the motifs in the lower left weren't strong enough for the design on their own, so I appliqued them to purple circles, which I appliqued to the quilt. Similarly, the flat piping above the right side of the bottom border lent a needed linear element and visual weight to that section of the quilt, helping to balance the bowl of flowers and the butterfly at the upper left. I machine quilted using traditional Japanese sashiko patterns in several of the large areas and free motion quilted following the lines of the print in other areas.”
In another few days I’ll post about the third piece that won Juror’s Recognition this month.