Felting at a "Bead Show"

A contemporary glass bead maker I've known for many years has branched off into felting.  She had many lovely vessels at the Bead and Button Show in early June in Milwaukee.  

She has also put together kits to tempt the beaders in the crowd to move on over to the fiber side of the world.  

For many of us in the gallery, attending a conference is a way to learn new techniques in our chosen medium but also a way to open our minds to new and different techniques.

For the rest of this month, I'm going to include some more pictures of the fiber and fiber techniques I saw at the Bead and Button show.  This show (billed as the largest consumer bead show in the world) has changed dramatically over the seven years I have attended it.  And the plus side is that once a year I get to eat at Madors restaurant a quaint, old and delicious way to end a great week in Milwaukee.

New Gallery Show: Opposites Attract

Monday April 11 a new show was installed in the Potomac Fiberarts Gallery in the Torpedo Factory in Alexandria, VA. The theme is Opposites Attract--or do they?

Not all new work must be theme related, but theme related items are eligible for awards.

Annabel Ebersole and Carol Holmes, member jurors for April stated:

Opposites attract! What a wonderful bounty of creative responses to this theme. It was difficult to choose among the many gorgeous black and white pieces, as well as pieces that highlighted circles and squares, lines and curves, soft and hard, smooth and textured, shiny and matte.

We selected Dorothy Miller’s Thai silk purse in black and white which also highlighted floral and linear and curved vs. angular. Zita Simutis’ felted and stitched piece with squares and circles of heishi beads with offset layout of the stitching pattern added visual interest. Joanne Bast’s two felted rocks with their wooly texture contrasted by brick stitch beadwork of a lizard and turtle exemplified the theme.

Dorothy Miller's purse, available for $65: Dorothy states I had pieces of silk left over from a formal blouse I designed and made ( could send a picture of the blouse). The pieces seemed to cry for use in the black and white theme. I played with the fabric pieces until I drew a design I liked. The beads on the zipper are from an old necklace a friend gave me. This theme gave me chance to recycle.

Zita Simutis's felted wall piece "Standout" , $165:

Zita's thought process:

This is the process I used to create “Standout”. Hand felted some
white wool. Dyed it with a light color. Dyed it again using Japanese
resist techniques with a darker color. Dyed it one more time and was
surprised about what actually happened to the felt with the layers of
dye. I always am. Colors changed, patterns changed with each dye bath.
Thought, turned it around. Pinned the felt piece on the wall. Looked
at it once in a while for over a year. Thought again about what I
wanted to do with the piece. Cut it up into little pieces to make
pins? Turn it into wall art? Wall art, definitely. Combine it with
other pieces? That is what I did. Several hand dyed felt pieces were
sewn together with tiny stitches. And then I embroidered, added some
beads – why not do one in a different color, and it was done. Magical
fiber art processes, thinking, and many tiny decisions over time
turned it into a little work of art called “Standout”. I loved making
it and I am honored that the jurors liked it too. Thanks to the
incredible Chad Alice Hagen for the inspiration.

Joanne Bast's beadwork animals ($135 for the turtle and $250 for the lizard) are organic forms constructed out of hard glass bead elements seated on softly felted rocks. I am fascinated by the ability to actually draw with brick stitched beadwork. Making the living elements out of hard inorganic glass and the nonliving base out of soft organic wool provided an interesting reversal.

Many of our fiberartist members interpreted opposites attract as black and white.

Floris Flam quilted a black, white and red wall hanging titled "BlackHole" which hangs next to Anna Yakubouskaya's dyed a silk panel/scarf called "Night Butterflies".

Black and white scarves by JanetBarnard, Roz Hopuseknecht and Jannet Stollnitz hand below.

Details of "Black Hole" and "Night Butterfly":

Black and white purses are also in abundance.

Merle Thompson's tote bag.

A black and white summer hat by Bev Baker:

Fossil Series, wire work in fiber techniques by Marla Rudnick.A Black and white jacket by Merle Thompson:

Beadwork necklace in black and white by Elida De Sousa Moore, peyote stitched with glass and resin beads:

Cindy Grisdela pillow:

Ann Liddle's hand made paper wall sculpture "Phases of the Moon" hangs above "Time Travel", a wall quilt by Cindy Grisdela.

Eileen Doughty stitched paper necklace contrasts squares and circles.

Jewelry items be Joanne Bast, Emma Bednar, Eileen Doughty, Barbara Rushworth and Roz Houseknecht contrast hard and soft, black and white, square and round, night and day, line and pattern.

Opposites Attract sure provided an interesting array of fiber items in addition to a vast array of additional artistic fiber pieces to tempt the eye and wallet. Joanne

Brick Stitched Beadwork continued

Because of the stiffness and stability of brick stitched beadwork structures, brick stitch is often used to create beadwork sculptures and vessels. The following freestanding figures are created by Gladys Seaward in brick stitch. Gladys states that she uses but is not limited to brick and peyote stitching and especially likes combining the various beadwork stitches in a single piece. Note the ease with which the brick stitched beads change both sizes and linear directions.

3 Dimensional Figure "Emergence" in brick stitch by Gladys Seaward

"Impaired Dancer" also brick stitch by Gladys Seaward

"Fantasy Goddess" by Gladys Seaward

"When U Wish" also by Gladys Seaward

The following are 2 Dimensional figures in brick stitch by Joanne Strehle Bast. Note that the original "bead ladders" with which brick stitch is started can be bent into any shape and used to "draw" the figures. The direction of design lines can be changed at any time by throwing another bead ladder and stitching off of the new line. Changing bead sizes also help indicate which limbs and/or torsos are in the fore and which are behind.

Charleston and Swing dance couples by Joanne Bast

Disco Dancers with their disco ball

Positioning the 3 sets of dancers into the desired composition

Filling in the background to produce the final 19"x 12" piece of beadwork "Clubbing the Night Away". Note the contrast of the straight lines of beads that the brick stitch produces within the figures and around the frame with the more amorphous background stitching. This helps the figures stand out from the background.

The final project involves photographing the beadwork and reducing it to the size of a playing card, the three sets of nightclub dancers from three different eras representing the Six of Clubs.

So we now come to the end of the month. I have been delighted to be the Potomac Fiberarts Gallery blogger for November. I will now pass the baton on the another member to continue for December. I will return as the blogger for the month of April.

The gallery is filled with fantastic fiber gifts. The Torpedo Factory (105 N. Union Street, Alexandria, VA 22314) of which we are a part will celebrate a Holiday Open House December 2 from 6-9PM in addition to our regular hours. Please visit. Joanne