More Continuing Education for Artists

All members of the Potomac Fiberarts Gallery are also members of the Potomac Fiberarts Guild (however, not all members of the guild choose to be members of the gallery). The Guild meets once a month and usually has a speaker/program that often includes a workshop. The topics vary from month to month and include the whole range of fiber techniques. In addition, we have several study groups which also meet separately from the whole guild at varying schedules and locations that focus on more narrow fiber techniques. Examples of study groups are clothing, felting, color, design, dying, knitting, weaving at several levels, fiber techniques in metal and more. Sometimes study group members alternate presenting programs, sometimes we follow a published workbook, sometimes we critique each other, sometimes we take field trips and sometimes we hire outside teachers. It is up to ourselves to keep up with our chosen craft and the Potomac Fiberarts Guild is one way that we do this. In some cases, new work that we show in the gallery comes directly out of such new learning experiences.

Some workshop examples:

Learning about silk:

Clothing from Handwoven Fabrics:

Basketry:

Felted garments:

Felted Hats:

A color study in machine embroidery:

There are also many guild in the midatlantic area that relate to more specific areas of fiberart. Baltimore and Washington DC have guilds that specialize in weaving, beads, knitting and crocheting and many more. State guilds such as the Pennsylvania Guild of Craftsmen have craft guilds that offer classes not only in art forms but in business practices for artists as well. Local areas such as townships and counties have art societies. All of these provide opportunities for artists to improve themselves and keep up with their art forms. But in all, it is the initiative of the artist to partake of these and to drive to excel in what we do. For now, Joanne

Is Not Gold; Holiday Show

To continue with the treasures that abound in the Potomac Fiberarts Gallery this month, here are the jewelry cases:

We have an array of bracelets in felt, beads, fabric, and wire.

And a bounty of necklaces:

The small item wall; earrings,brooches, barrettes and more:

Hand Made Cards for special notes.

Eyeglass cases,

And hand dyed yarns for that special project or for gifting as is.

Hand made books for journaling or sketching or just making notes as well as pillows, bowls and much more.

I find my days working in the gallery like sitting in Aladdin's Cave. I almost never come home without bringing a purchase with me that I just can't resist. Happy Thanksgiving. Joanne

All That Glitters; Holiday Show

Monday the Potamac Fiberarts Gallery juried in our Holiday Show "All That Glitters---Is Not Gold". The variety of fiber and fiber technique with alternative materials is stunning. Here is a short overview of gifting items available, all hand made in the local DC/MD/VA/PA area.

First an overview of our treasures:

A multitude of Scarves and Garments just waiting to be touched:

The Hat wall, knitted, crocheted, fulled and felted, ready to warm winter heads:

Gloves and Purses:

And wall art to enliven your living spaces:

Plus critters to make you smile:

Come on down and come on in. For November, Joanne

Life of an Artist

Hello, I am Joanne Bast, beader, felter, knitter and embroiderer, back as your blogger for the month of November. I thought I would discuss a little bit about what it is to be an artist. While there are artists who design and have others produce their work, the members of the Potomac Fiberarts Gallery are individual artists who work for themselves and by themselves, designing and carrying out the creation of our items. We are our own bosses and our only employees.

You may think that working for yourself is liberating. While it does have a certain amount of freedom, it also requires a great deal of self determination. Working at your own pace can easily lead to not working at all. When there is no one but yourself to tell you when and what to do, you must set your own deadlines and have the strength to adhere to them. An individual artist must decide what to make, how and when to make it, how and where to market it, evaluate it and make changes, and keep appropriate tax and inventory records.

Involved in this process is the need to keep up with the chosen artistic medium. Many professions have mandatory continuing education. Artists are again on their own with respect to keeping up with advances in their chosen area. We do this by subscribing to magazines on various techniques and media, by belonging to organizations and/or guilds of artists, by attending more or less formal meetings, retreats, classes or workshops to further our interests and expertises. The Potomac Fiberarts Guild is one organization that allows artists working in various forms of fiber art to meet and learn from each other and from outside teachers. We meet once a month and often bring in nationally known speakers and instructors to present programs and workshops. This year we will have programs on many differing aspects of fiber art.

Back in June, Mickey Kunkle blogged on attending the annual Bead and Button Show in Milwaukee. This is only one of many organizations with national seminars that include classes, lectures, vendors and other experiences. Just this past weekend, I attended a less formal retreat of fiberartists called NeedleArts Adventures in Ocean City, MD. This was a gathering of people interested in creative fiber work where we shared information and critiqued each other's work without designated teachers. I've included some photos of the retreat showing some round table discussions and some working shots. Boy do fiberartists cart a lots of baggage around. As a bonus, I've also included a spectacular sunrise over the Atlantic Ocean. What could be more inspiring? Joanne

Fissures, Fossils and Fragments - 3

Finally, the judges gave special recognition to a set of three bead-covered rocks by Joanne Bast.

Joanne says:

“The pieces of mine that were recognized this month were beaded rocks. One of the technical issues with stitching non wearable beadwork is how to present the finished creation. Most beadwork needs some kind of support but standard frames usually don't work. By stitching the beadwork over a rock, the support is encased and when the stitching is done, the presentation is done as well.

I use a stitch called right angle weave to cover the rocks because the basis of the stitch is a 4 (or multiple of 4) bead circle. This produces a fabric of beads that has no straight lines and stretches like bias in all directions, perfect for encasing irregularly shaped objects like rocks. I start with a piece of leather for the bottom, sew the first row of beads to the leather and then stitch bead to bead to enclose the rock form.

Motifs are done with a stitch called brick stitch which allows me to draw with lines of beads, shaping the lines by increasing and/or decreasing as well as changing bead sizes. Some of the pieces also have straight lines of brick stitching which I use to separate areas of color blocks done in the right angle weave. That way I can shade light to dark on one side of a line and dark to light or another color on the other.

In Sedona, AZ, I saw some petroglyphs (rock carvings) and pictographs (rock paintings) and thought what perfect images to bead onto rocks. I stitch the motifs first, position them on the rock temporarily with scotch tape and then bead the background up from the bottom attaching the motifs in place. The contrast of line vs. no line bead stitching also helps the motifs stand out from the background.

The result is little decorative sculptures that may be used (i.e., paperweights) or not. Not everything in life needs a purpose beyond giving pleasure to feel and look at.”

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This will be my last post for the month. Next month will actually be Joanne’s turn, so I imagine you’ll learn more about beading.

I’ll be back in March to talk more about weaving and the March show.

- Larry Novak